Движения камеры

dolly in. Movement: the camera itself travels straight ahead toward the main subject. Speed: steady, controlled advance. Framing: camera height, aim and the subject's place in frame stay unchanged as the gap shrinks. End: the move ends on a closer, tighter view of the subject.

dolly out. Movement: the camera itself backs off from the main subject along a straight path. Speed: steady, controlled pull-back. Framing: aim and camera height stay unchanged while more of the surroundings comes into view. End: the move ends on a wider view of the scene.

tracking shot. Movement: the camera travels through the scene together with the main subject. Speed: the subject's own pace. Framing: the subject stays clearly visible throughout while the surroundings pass by. End: the camera is still moving, with the subject in a clear frame.

follow shot from behind. Movement: the camera trails the subject from the back at shoulder level, on the same path. Speed: the subject's own pace. Framing: the head, a shoulder or the back sits in the foreground and the way forward stays visible. End: still following, with the subject in the lead.

reverse tracking shot. Movement: the camera retreats ahead of the subject, who walks toward it. Speed: equal to the subject's walking pace. Framing: face and body, seen head-on, stay steady in frame while the background slides away behind. End: still moving, with a clear frontal view of the subject.

side tracking shot. Movement: the camera travels next to the subject, parallel to the way they are heading. Speed: equal to the subject's speed. Framing: the subject is seen in profile or three-quarter view from a constant distance. End: the camera is still travelling alongside, in clear sideways motion.

low tracking shot. Movement: the camera travels near the ground or under waist level, next to the path the subject takes. Speed: equal to the subject, their steps or the wheels. Framing: the low details stay clear while the ground passes through the frame. End: the low viewpoint is held to the last frame.

vehicle tracking shot. Movement: the camera travels together with the vehicle, along the way it goes. Speed: the vehicle's own speed. Framing: the vehicle keeps a steady place in the picture as the road and surroundings pass by. End: still in motion, with the vehicle clearly framed.

chase shot. Movement: the camera rushes after a moving subject along the path of the action. Speed: quick and reactive, physically near the subject. Framing: the subject remains in view while the frame is free to shift and readjust with energy. End: the camera is still with the moving subject.

slow zoom in. Movement: the lens focal length grows little by little, narrowing the view. Speed: unhurried and uniform. Framing: the main subject stays clear as it takes up more and more of the frame. End: the zoom rests on a steady, tighter view of the subject.

slow zoom out. Movement: the lens focal length shortens little by little, widening the view. Speed: unhurried and uniform. Framing: the main subject stays clear while more of the space around it comes into frame. End: the zoom rests on a steady, wider view of the scene.

fast zoom in. Movement: the lens focal length rises quickly, closing in on the main subject. Speed: brisk and decisive. Framing: the subject is centered, or at least clearly visible, while its size in frame changes. End: the zoom rests on a steady, tighter view of the subject.

fast zoom out. Movement: the lens focal length drops quickly, pulling the view back from the main subject. Speed: brisk and decisive. Framing: the subject stays clearly visible as the space around it opens up. End: the zoom rests on a steady, wider view of the scene.

crash zoom in. Movement: the lens jumps in on the main subject in a single abrupt zoom. Speed: extremely quick, with a hard punch. Framing: the subject stays recognizable through the sudden jump in size. End: the zoom hits a striking, tight view of the subject.

crash zoom out. Movement: the lens jumps back from the main subject in a single abrupt zoom. Speed: extremely quick, with a hard punch. Framing: the subject stays recognizable while the space around it comes into view. End: the zoom hits a striking, wide view of the scene.

crane up. Movement: the camera rises vertically in a fluid line through open space. Speed: slow, controlled ascent. Framing: the subject or the location stays clear in frame during the whole rise. End: the move ends on a view that clearly shows the larger scale of the scene.

crane down. Movement: the camera descends vertically in a fluid line through open space. Speed: slow, controlled lowering. Framing: the subject or the location stays clear in frame all the way down. End: the move ends with the subject or destination at the bottom plainly in view.

drone push in. Movement: the camera flies ahead in a fluid line through open space, heading for the subject or destination. Speed: even, controlled glide. Framing: the flight path and the destination stay clear during the approach. End: the flight ends on a nearer aerial view.

drone pull back. Movement: the camera flies in reverse in a fluid line, leaving the subject or destination. Speed: even, controlled withdrawal. Framing: the subject stays visible while more of the landscape comes into frame. End: the flight ends on a broader aerial view.

helicopter shot. Movement: the camera flies far above the ground on a wide, gradual course. Speed: even, controlled flight. Framing: the landscape, or a far-off moving subject, stays clear in a very wide view. End: the flight settles on a steady view from great height.

static shot. Movement: none, the camera is locked in a single spot from the first frame to the last. Speed: motionless and stable. Framing: angle, height, distance and composition never change. End: the shot closes on the very frame and camera placement it opened with.

pan right. Movement: the camera stays in place and turns sideways, sweeping from the left toward the right. Speed: even, fluid turn. Framing: the horizon stays flat as new parts of the scene come in at the right edge. End: the turn stops on a clean, well-composed frame.

pan left. Movement: the camera stays in place and turns sideways, sweeping from the right toward the left. Speed: even, fluid turn. Framing: the horizon stays flat as new parts of the scene come in at the left edge. End: the turn stops on a clean, well-composed frame.

whip pan right. Movement: the camera swings abruptly away from its first view to a new target on its right. Speed: a quick snap, with a short streak of motion blur mid-turn. Framing: the shot opens on one clear composition and arrives at a second clear target. End: the frame comes to rest, crisp and in focus.

whip pan left. Movement: the camera swings abruptly away from its first view to a new target on its left. Speed: a quick snap, with a short streak of motion blur mid-turn. Framing: the shot opens on one clear composition and arrives at a second clear target. End: the frame comes to rest, crisp and in focus.

tilt up. Movement: the camera stays in place and pivots so that its view climbs. Speed: even, fluid pivot. Framing: the tall subject or building stays in the middle of the frame while the view rises along it. End: the pivot stops on the target at the top.

tilt down. Movement: the camera stays in place and pivots so that its view drops. Speed: even, fluid pivot. Framing: the tall subject or building stays in the middle of the frame while the view descends along it. End: the pivot stops on the target at the bottom.

truck right. Movement: the whole camera travels sideways to the right along a straight, level line. Speed: even, fluid sideways motion. Framing: the lens keeps pointing the same way while the scene drifts across the frame. End: the move ends on a tidy frame of the sideways run.

truck left. Movement: the whole camera travels sideways to the left along a straight, level line. Speed: even, fluid sideways motion. Framing: the lens keeps pointing the same way while the scene drifts across the frame. End: the move ends on a tidy frame of the sideways run.

pedestal up. Movement: the whole camera rises along a straight vertical line. Speed: even, fluid rise. Framing: the lens stays horizontal and keeps aiming the same way for the whole move. End: the move ends on a clear, readable higher frame.

pedestal down. Movement: the whole camera lowers along a straight vertical line. Speed: even, fluid lowering. Framing: the lens stays horizontal and keeps aiming the same way for the whole move. End: the move ends on a clear, readable lower frame.

slider right. Movement: the camera glides a short way to the right. Speed: slow, even and controlled. Framing: foreground, subject and background all stay clear while they move against each other with parallax. End: a carefully composed frame that shows the slightly new view from the right.

slider left. Movement: the camera glides a short way to the left. Speed: slow, even and controlled. Framing: foreground, subject and background all stay clear while they move against each other with parallax. End: a carefully composed frame that shows the slightly new view from the left.

push past. Movement: the camera advances and slips by an object, edge or opening in the foreground. Speed: fluid, steady advance. Framing: the foreground element passes the lens at close range while the area behind it opens up. End: the camera ends up inside or beyond the foreground element.

arc right. Movement: the camera travels along a gentle curve partway around the main subject, heading to the right. Speed: even and unhurried. Framing: distance, height and a clear view of the subject stay the same while the viewing angle shifts. End: the subject is seen from a new angle on the right.

arc left. Movement: the camera travels along a gentle curve partway around the main subject, heading to the left. Speed: even and unhurried. Framing: distance, height and a clear view of the subject stay the same while the viewing angle shifts. End: the subject is seen from a new angle on the left.

orbit clockwise. Movement: the camera goes around the main subject in a clockwise circle, always at the same distance. Speed: even and controlled. Framing: the subject stays mid-frame while the background turns behind it. End: the planned arc or full turn is done, with the frame steady.

orbit counterclockwise. Movement: the camera goes around the main subject in a counterclockwise circle, always at the same distance. Speed: even and controlled. Framing: the subject stays mid-frame while the background turns behind it. End: the planned arc or full turn is done, with the frame steady.

handheld shot. Movement: the camera is carried by a person at operator height and picks up the natural motion of the body. Speed: reactive and lifelike. Framing: the subject stays clear while the frame sways slightly and makes tiny corrections. End: the last frame still looks naturally hand-carried.

snorricam. Movement: the camera is strapped to the subject and keeps one position relative to the torso or face as they move. Speed: in step with the subject's body. Framing: the subject is close, mid-frame and facing the camera while the background moves around them. End: the subject is still pinned in the frame.

first-person view. Movement: the camera advances at eye level, as the character's own eyes. Speed: the unforced pace of a walk or a reach. Framing: the character's arms, hands or edges of the body are in view and anchor the viewer physically. End: the camera arrives where the action goes on, still in first person.

tilt-shift. Movement: the camera looks down on the scene at an angle from high up, holding still or drifting slightly. Speed: minimal, exact motion. Framing: only a thin strip over the key subject is in sharp focus, and the areas over and under it are softly blurred. End: the scene still reads as a miniature.

infinite zoom. Movement: an unbroken zoom inward, aimed precisely at the target in the center of the frame. Speed: fluid and steadily speeding up. Framing: the round target stays dead center while it grows. End: the shot is over once the next world has taken over the whole frame.

earth zoom out. Movement: the camera pulls upward from its start, past street, city and landscape, out to the whole planet. Speed: a fast, ever-widening zoom out. Framing: the first location stays mid-frame as the scale grows. End: a view of the planet, its center still marking where the shot began.

time-lapse. Movement: the camera does not move at all while time in the scene races ahead. Speed: time is strongly compressed, the camera itself is steady. Framing: composition and horizon never change as movement streams through the frame. End: the angle is unchanged, and it is plain that time has passed.

pass-through shot. Movement: the camera advances at an object, surface or barrier in view and carries on through it into the area behind. Speed: fluid glide down the central axis. Framing: the opening or surface is held mid-frame as the point of transition. End: the camera is inside the newly revealed area.